Chapter 2. Dream Girl – The Misconceptions of Me is SHINee’s B-side follow-up to Chapter 1. Looking at previous SM releases, like Hello and Lucifer, TVXQ’s Humanoids and Catch Me, and Super Junior’s Mr. Simple and A-CHA, I did not have high expectations.
(1) Nightmare. Perhaps the most noticeable aspect of this song is the heavy use of autotune, except for a the chorus where Jonghyun’s voice dominates. The thick and heavy electronic recalls the previous album, especially Dynamite. In this way, it serves well as a bridge from Chapter 1 to Chapter 2, but gives the listeners a feeling that this album will be darker than the upbeat Dream Girl.
(2) Why So Serious? I have already revealed my thoughts on the single in this previous audio review, so I will not be giving a long written response, but just discuss some other things that I did not mention before.
Continuing with a theatrical theme, Why So Serious? builds on previous singles. Using electric guitar and rock genre as a base, Why So Serious? seems almost bad-boy and rebellious. This song is mixed with some brass reminiscent of Sherlock, and then some walking bass from the funky Dream Girl. However, all of these callbacks to past styles make this single a mess; it’s like the United States shooting random missiles into the Pacific islands just because we can and we have enough missiles to blow up the world several times over– it’s not because we actually have any enemies there or anything. SHINee’s production team just seems like it’s blindly throwing random explosions all over the place, with the hopes that one lands on something. Moreover, think of it this way: French bread, chocolate, and guacamole taste good together on their own, but mixed together, it is something you’d rather not try. Just because Sherlock and Dream Girl were great on their own does not mean mixing those styles together will make a strong single.
As Why So Serious? is a fast-paced rock song, it favors belting. That is, this song favors a singer like Jonghyun, extremely evident as the chorus is plastered with Jonghyun’s vocals. In Replay era, the only other era that fit Jonghyun’s voice well, the sound engineers had the tact to mix their voices into the chorus until Jonghyun could not be perceived unless you listened very closely. However, they do not even bother to hide it on this track. After to listening to this track and Nightmare, I could tell that this album would be heavily Jonghyun.
Perhaps the most raw and beautiful point on this album is Jonghyun’s vocalization at 1:35s, because even on the recording, the power of his voice is overwhelming. This is a great example of being off-key and fitting nicely because it is controlled: Jonghyun’s voice may seem like it wobbles on the high note, but it is very much intentional. I do like Taemin’s beginning vocalization (the second most beautiful point?), and I am pleased to see him becoming more of an aggressive singer. I hope that Taemin receives proper instruction singing those parts or else he could damage his voice. Taemin’s rapping was awkward because his natural speaking voice is not rhythmic or sharp enough; Jonghyun’s problem as well.
(3) SHINe (Medusa I). The English lyrics are silly. The breaking glass recalls Sherlock. All in all, SHINe is a rather generic addition to the album. The song’s style is non-committal, recalling a bit of Dream Girl funk through some bass solos, though it is decidedly on the darker side, as it swaggers arrogantly, is in a minor key, and focuses on the low end of SHINee’s registers. Nonetheless, this song does reveal the SHINee members’ different flavorings well. I have always felt that Onew’s voice is a bit nutty– not crazy kind of nutty– but the taste is like eating nuts. Just a bit brittle yet smooth at the same time. Key is just full-on peanut brittle. Taemin is caramel, but the one with the weird gooey consistency, not the one that melts in your mouth. Minho is licorice: stiff and drawn-out, some like it, some don’t. Jonghyun is cotton candy, light, airy, and relaxed.