Disclaimer: it is currently 1:30am, and thus I may not be able to vouch for the absolute rationality of this post.
Before I rip on each song, let me first rip on the entire album. Discounting the songs that were released previously released singles beforehand, the new songs in Time all make me yearn to tear off my ears. It is so disjointed and silly and not worthy of the vocals that Changmin and Yunho possess. They also do not mesh well with the previously released singles, either. Time is a slapdash album, and it throws into sharp relief precisely what Yunho and Changmin do not excel at– happy stuff.
What in tarnation is the first minute in Fated? It is heavy and untoward, and then breaks into a lovely bare, Yunho solo, followed by Changmin. I understand that as the introductory song, conceptually it may be nice to start with a ‘strong’ opening, but the contrast between the strong and weak parts was too unsettling. The chorus is too repetitive and too cliched to be memorable. I get it. The epic introduction. Whatever.
Next up is Catch Me -If You Wanna-. I did not review their Korean single Catch Me, which I did like, though it was simply following the dubstep dance trend. It is a solid song, with a very beautiful embellished instrumental. Their lives were simply amazing.
逢いたくて逢いたくてたまらない is probably the most awkward song to come after Catch Me. Upbeat, happy, replete with whistling sounds, and repetitive, and simplistic, it makes me want to wretch. Neither Yunho nor Changmin are exactly great at conveying cheer in their singing; their voices are on the ‘reedy’ rather the ‘full’ and ‘warm’ side, which makes it hard for them to pull off singles like this.
One More Thing and STILL I had reviewed previously, and to make a long story short, Tohoshinki rules at emo ballads.
I Know is more of the same deal: Tohoshinki ruling an emo ballad. I cannot stress enough that they are flat-out professionals at handling this genre. Every little inflection is carefully controlled, and the instrumentals are just enough to support the voices without overpowering them. The piano motif is sad and plaintive without being too commonplace. Their voices are so smooth and yet so tense and painful at the same time. Better yet, Changmin and Yunho continue to match and complement each other scarily well; when listening, you do not think, “Oh that’s Changmin. Now it’s Yunho.” It is just Tohoshinki.
Y3K is the next song, and Please Kill Me Now. The range is too low and the chorus is contrite, with the ring of “been there done that.” The rather slow beat just makes it excruciating to listen to for the whole four minutes. The yodeling melismas are just silly, too. The bridge seems to no relationship to do with the song itself– it is just an empty cesspool where we wait for the meter to return.
Thankfully, BLINK comes after Y3K. Along with ANDROID, I had reviewed these two singles, and long story short again: I was highly impressed with Tohoshinki’s clean and cohesive electrodance stylings. When compared to Catch Me, Android is the better dubstep single. It is truly an upbeat electrodance single while Catch Me is more like dressing for meat bait– the two steaks being Changmin and Yunho, of course.
When reformatted for the Japanese market, atrocious English was added to Humanoids. Think of Humanoids as the Catch Me B-side. It was not good enough to be a lead single. That is all.
Save me from this happy bland song: One and Only One. The latter half of the song, which dips into the higher register, sounds so unnaturally strained for both of them.
Is this song a love song for their fans? Judging by the six minute run time, and Yunho being forced to “la” into oblivion, In Our Time is the love song. As such, it is an insufferable song, sweet and sickly. Time to wash my ears by listening to another love song for fans, SHINee’s Dream Girl.