The latest release from Tohoshinki is “ANDROID”, a mini-album with two songs: ANDROID and Blink. ANDROID is the lead single, and rightfully so, its hook is so infectiously catchy and singable, along the lines of Superstar. Changmin and Yunho’s vocals are incisive, precise and energizing– as usual. The only squabble is the incognruous dubstep bridge, which is quite late to the jpop scene considering Daichi Miura’s release of Black Hole more than half a year ago. The “modest gothic remix” of ANDROID is not bad either, definitely a treat for those of us who like mainstream metal, like Seether or Linkin Park.
The music video and choreography for ANDROID is nothing spectacular, but due to the eargasms that the song itself induces, I forgive them for all of their funny outfits (and people were complaining that Sexy, Free & Single had weird fashion). I would rather a strong song rather than a flashy video.
Blink is a weaker version of ANDROID, mostly due to a less catchy hook and its lusterless bridge, but nonetheless, a strong track as well. Its vocal strings of “Nananana” reminds me of f(x)’s tendency to use nonsense syllables, indeed in their latest track Electric Shock, they sing “Nananana” as well. However, the biggest difference between these two songs is that Blink is a strong track all together. Electric Shock is punctuated by many empty-sounding singing breaks that ruin the upbeat pace introduced in the beginning. f(x) gets a lot of heavier electrodance beats, but sometimes I feel like they are lost kids running around a supermarket, and their vocals float around aimlessly; whereas Changmin and Yunho are experts at anchoring and drawing listeners in.
Overall, I am very impressed with the level of consistency two-member Tohoshinki in Japan promotions is able to produce, from Tone to Still to ANDROID. Yunho now raps very little, and I am very grateful for this trend because his nasal voice fits extremely well in these two tracks. I will say it again, that yes, I am very grateful for a Changmin and Yunho duo, for they suit each other perfectly. Beginning with Japanese LP Secret Code, Tohoshinki has developed a signature sound: thick-textured electrodance, with a bit of electro-ballads, usually more up-tempo than down. This contrasts with TVXQ in Korea, which is still electrodance but cleaner, and more R&B influences. A comeback in Korea is probably in the books for later this year, but if that never happens, that is fine with me– as long as we see another Japanese LP. Pretty please.