Thoughts on SHINee World V in Dallas

Only a week ago- but it almost seems forever ago. In the frenzy of randomized ticket-buying, my friend and I were lucky enough to score (slightly off center) front row tickets to SHINee World V in Dallas, happening on March 24, 2017.

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Some thoughts (things may be added as I think of more)-

  1. SHINee really looks as good up close as they do on the screen. That’s surreal.
  2. Sitting on the sides isn’t bad actually- when members are doing their solos or want to show a little extra love to people who aren’t in the good seats, they’ll do it on the sides. I got to see a lot of up-close Jonghyun.
  3. Minho is an incredibly happy character, and he was continually making eye contact with fans and acknowledging it (he made eye contact with me twice). I may have forgiven Minho a little for being the useless member- at least he loves concerts and literally basks in the cheers.
  4. Key hasn’t aged a day.
  5. Key’s English is getting better and better, and the most entertaining talking moments were his. Everyone else said what was proper- Taemin was the most dour-mouthed. They all stood awkwardly around a few times after they exhausted Key’s funny talking bits and the bits they rehearsed when they were trainees in SM. Unfortunately, it’s all too apparently that they’re still not really comfortable with energetic and enthusiastic audiences like you’ll see in America.
  6. Jonghyun (and SHINee) was all right live, but I wasn’t really paying attention to the singing at all, even in such a small venue as the Verizon Theatre. It’s really the vibe of the concert and the visual (of which there is a lot to be sated by!). Also, American fans tend to be quite raucous even during ballads, so it’s not really possible to concentrate so much on the sound. I am not knocking on American fans- I’m one of them- but it definitely would be a nice experience to be able to go a Japanese concert and listen to the ballads in earnest.
  7. SHINee are undoubtedly veterans, but I felt that especially Onew and Taemin are getting tired of the grind. No doubt they’re all disillusioned to different degrees, but that night wasn’t their night. Onew’s only real spontaneous spark of emotion was when they sang the encore song and the entire audience held up signs containing lyrics that Onew had penned. A dead fish had more personality than Taemin.
  8. Apparently Jonghyun read my sign about economics PhDs loving him.
  9. It’s disappointing that the show was shortened for the tour in America. It was blamed on the venues, but it just feels cheated to me. I’d happily pay for the difference ($30 per person?) to hear the entire SHINee World V setlist- SHINee never comes to the US so having higher ticket prices won’t price out many people.
  10. The show was not completely full. There were a good 100 seats in the upper balcony on the sides that were not filled- with good reason- I have seen photos taken from the sides, and the stage can be up to 1/3 obstructed. SHINee chose the right venue for the area, but I feel that if SHINee had done a stop on the East Coast, they would have been able to fill a larger venue with a larger number of people. The amount of people who would casually buy a SHINee ticket to attend are more concentrated in the East Coast and West Coast. There were very few locals around this concert- most had driven their cars, taken buses, flights (like me) to be there.
  11. I had the biggest, stupidest grin for 90% of the show, and I had this low-key horrified refrain running through my mind: “Oh my god, I hope it’s not a creepy one.”
  12. Other nagging thoughts I had-  “Wow. This is capitalism. Paying $230 to stare at five men’s faces. And they’re okay with that.” I had to remind myself that it was okay to stare, because that is the career that they chose.
  13. It was simply beautiful to be in a concert venue with all the lightsticks alight.
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brief thoughts on EXO’luxion in Newark, NJ

Surprise! Michelle isn’t dead as a kpop fan. To the contrary, she spent $80 on a ticket to see EXO on February 21, 2016 at the Prudential Center in Newark, NJ. Worth it? Yes. Bone-tired? Yes. Going to make a random bulleted list because I can’t be bothered to write a coherent article? Yes.

(May be updated as I think of more things. Feel free to ask questions.)

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  1. Michelle-Patricia shippers alert: I did go with Patricia. I feel sorry for the teenagers around us having to listen to our sarcastic sniping and a lot of my ironic laughter.
  2. Never have I felt so strongly that Chen is my husbando.
  3. The songs were all sung in Korean, which was irritating, because especially in their earlier songs, Baekhyun gets all the (high) parts that Chen would normally sing in Chinese. So while Chen did feature quite prominently in the concert, would frequently be at the front of the dance formations, he actually didn’t sing as much as I’m accustomed to hearing.
  4. The production quality of the video interludes was pretty fantastic. There was this one interlude that showed them dancing to dubstep which accented their “abstract” dance moves with geometric shapes. As someone who loves that sort of geometric nonsense, it was quite cool.
  5. Chanyeol talks a lot and tends to go on (and on). He was also obsessed with throwing the confetti around and you could tell some of the members weren’t having it. Suho and Chanyeol seem to know the most English (they spoke the most in English), but it wasn’t really much beyond the standard “What’s up New York?” We’re in New Jersey. “Are you ready?” Rabid fangirl screams all around. There was a translator, and from what Patricia told me, was not that good, more like a random person on the SM team who spoke English the best.
  6. Chen had this really terrible compliment at the end, “You are all beautiful like skyscrapers.” Yeah, totally my husbando- someone who mangles praise but smiles and then you know the world is somewhat not evil.
  7. Upon reflection, I realize that the EXO show isn’t actually that fancy. There’s the lights, standard confetti, some props (piano, a stage on top of the stage, a few chairs, “changing room”), but it’s quite minimal of a production. It’s more about the band members, really, rather the whole set taken together.
  8. It was really hard to hear the singing- even when they were lip-synching, the voices were hard to make out. It quieted down some during the last few ballads but the crowd was extremely noisy.
  9. Girls screaming at the crotch grabs during Call Me Baby. #always
  10. FYI. EXO’lution doesn’t allow backpacks- even small ones. I think it’s safe to assume this for all SM concerts in the future.
  11. Chen had the best high note. Not that he’s my bias, or anything.
  12. Kai is ridiculous at dancing. Even from so far up, you could still tell how sharp his movements were. Sorry, Sehun. There’s a reason why you’re in the back. It was actually sort of funny to see the comparatively more sloppy choreography for things like Playboy which they don’t do as often as contrasted with things like Growl which they know so well.
  13. I would actually pay good money to hear EXO in a smaller, more intimate space. DO and Chen are some of my favorite singers in the kpop industry right now, and it’s a shame to hear fans screaming over their lines (I love Chen too, all right? But think of him seriously as a singer first).
  14. One of the video interludes ambiguously/tangentially mentioned the leaving of the three EXO members. Surprisingly, despite my salty self, I found it touching and was ready to wave money at EXO’s souvenir stands. The video said cheesy things like, “We are grateful to receive your love- we won’t rest until we’ve returned all your love to you.” Then the end of the concert dragged on for another 45 minutes, and I wasn’t ready to wave my money away so much after that.

mindless pop alert: Years & Years

I cannot get over how mindless and deliciously numbing Years & Years’ debut album is.

Michelle reacts to Jonghyun’s “Crazy”! // update: will be removed Jan. 16, 10PM EST

Bit of an advance review. It’s unlisted for now, but it’s totally possible that I remove it (I don’t like my face out there so much), so I’d watch as soon as you are able. If you like it, and want to see more, let me know. It was fun doing this video, and if there’s demand, I would definitely consider scaling up the quality. Thanks for watching!

[quick review] Taemin & Key’s excellent performances on Sketchbook

Woops, I was supposed to be doing economics research but then I ended up watching SHINee on Sketchbook. Since Jonghyun’s getting a solo debut this January 2015, I hope he’s been booked for Sketchbook as well.

Taemin

I definitely don’t give Taemin enough credit for growing so much in the past few years. While I’m not in love with this performance of Danger (weak as always because his low register is not comfortable for him at all and he mumbles instead of singing sometimes), his rendition of Experience and Replay are the best I’ve heard him, and could have been even better if Taemin gave up the cheesy dancing during Replay. When he sings Jonghyun’s vocalizations, there are some periods of uncomfortable tightness, but mostly it’s smooth and doesn’t feel so forced as it usually does. Like Replay, Taemin still has several periods of rigidity when singing in the progressively higher parts.

Huge shout-out to the guitarist supporting him both– especially for Experience— I would attribute a lot of the great flavor of Taemin’s performance to him and the other instrumentalists. Live bands make a big difference, which is why Sketchbook and Muzit performances are always a step-up from the average music show performance.

Watch Replay at 17m16s, and Experience at 23m45s.

Key

Key sings an older song, A Story of a Couple in Their 60s, placed in a lower range than SHINee normally sings– even for Onew. His rendition is excellent, especially when considering his broad lower range, which reverberates and projects. Like Taemin, his voice becomes stretched and too throaty when he reaches higher, but his lower parts are simply glowing. Easily the best I’ve ever heard Key.

Watch A Story of a Couple in Their 60s at 8m22s.

Bonus! Some thoughts on SHINee

Not the best Dream Girl performance from SHINee, though the live band is amazing. Seriously, I’d listen to this again and again just for the badass live band in the background. All of them are sounding strained, especially Taemin and a little for Onew, Jonghyun is way too nasal, Minho’s singing is surprisingly all right– he fudged the rap part big time, though.

The live band, though! A+! Instrumentalists are the best, after all.

There’s no live band in the Sherlock performance, sadly. Largely the same verdict as before, though Jonghyun mellows out in this performance and has a broader voice. SHINee is too shouty in both these performances.

top 15 kpop / jpop tracks of 2014

As is my custom, I have compiled a list based on my last.fm statistics: my most played kpop / jpop songs of 2014.

1. Overdose, EXO-M / EXO-K

The first by over 300 plays; definitely a track in which SM shows what it’s the best at doing. Simple, clean visually-oriented music videos with a non-offensive, catchy dance track. I discussed it briefly hereContinue reading

[classical] everything it should be: Czech Philharmonic’s Dvorak and Smetana

Two weeks ago, I randomly thought to myself, I’d love to hear Antonin Dvorak’s Symphony in e minor (“New World”) live. I randomly googled for performances in DC; to my delight, the Czech Philharmonic was giving a free performance of it in celebration of the 25th anniversary of the Velvet Revolution. A Czech orchestra playing the quintessential Czech composer! For free!

On the bitingly chilly and wet Monday evening, I trekked over to the National Cathedral (which is irritatingly situated so there is no metro within 20 minutes walking distance) and sat through close to one hour of speeches by eminent politicians, furiously complaining on Facebook chat to one of my classically-minded friends that “I’m never going to hear the music.”

Once the Czech Philharmonic finally started playing, I couldn’t stop the tingly feelings in my spine and my hands unconsciously making small motions loosely following conducting movements. The warm, golden strings reverberated in the National Cathedral, the brass rang clear yet smooth and rounded, and the orchestra was like a well-oiled, luxury vehicle, refined, deliberate and cohesive. They had both restraint and spontaneity, purpose and whimsy. It was a nuanced performance, yet with breathtaking vistas overall. I can confidently say this is one of the best orchestral performances I have ever heard– certainly, the Czech Philharmonic was a step beyond just understanding Dvorak. They had the experience and supple musicality to execute their visions well and in full.

The recording that I listen to most often is the two-piano arrangement by Duo Crommelynck. The arrangement distills the essential lines very clearly and cleverly; Patrick and Taeko have a raw energy that is particularly, I think, suited to Dvorak’s folk melodies and rhythms. Yet, listening to the Czech Philharmonic interpret this music in real time reminded me why the cold brilliance of the piano can never match an orchestra. Of course, any reasonably good pianist can create warmth, but at its core, the piano is a percussive instrument. Strings have no such bite, and the tender moments are all the more moving– the sound swells in a way that pianos cannot.

The Czech Philharmonic also played a selection from Bedrich Smetana’s My Country. I often think of Smetana as a lesser Dvorak, but perhaps I have not given Smetana a long enough listen. The selection was a little heavy-handed in motif repetitions; while also a common occurrence in Dvorak’s music, Dvorak tends to vary the repetitions much more whereas Smetana sometimes seems to be needlessly doing recycling. As this is a paragraph of complaints, I will lodge one more– the National Cathedral is not a good space for an orchestra. It is long and narrowly tall, more suited for chamber music than a full-bodied orchestra. A better venue would have been the National Shrine, more open and airier.

In the future, I’ll keep an eye out for the Czech Philharmonic, especially if they are playing Romantic or Classical repertoire; they’re just begging for a Yo-yo Ma Dvorak cello concerto collaboration. I also have a funny feeling that they’d be absolutely fantastic with Samuel Barber’s cello concerto as well. One can only hope.