[kpop] SHINee biased analysis of Gayo Daejun

I completely forgot about Gayo Daejun last night. This is a fail, because I was planning to watch it. Instead, I got up at 12:20PM today. Major fail. Nevertheless, Youtube is forgiving.

SHINee appeared in three performances: Key and Onew singing trot, Taemin participating in the maknae performance of Britney Spears’ Circus, and Lucifer with f(x).

I advise you skip over the trot, unless you specifically like that genre. The corny sparkling black outfits of Key and Onew were kitschy, but their good-natured expressions made the whole 1:02 minutes bearable. Sort of.

Taemin as the ringleader in Circus was horrendous. Instead of being sexy, he was awkwardly-cute-trying-to-be-sexy. If you watch the beginning of the original music video, Britney Spears has an undeniable, overt sexuality: we see her curvy silhouette, and in another cut, she is dressed in a skin-tone, skin-tight outfit. Of course, some may argue that Taemin does not have to imitate Britney because they are, after all, different artists. In this case, given the lyrics and the music itself, it is sort of impossible not to channel sensuality. Moreover, they gave Taemin a whip. A whip. So yes. The producers knew that they wanted to channel Sex Taemin. Taemin has proved he can be Sex Taemin in Lucifer (see long hair and guyliner), though androgynously so.  In this performance, he looked like a lamb with his curly hair, and it didn’t help that his costume made him look like a Puritan on the way to Thanksgiving.

Also, I don’t think that Taemin’s voice has achieved the amount of finesse necessary for Circus, it sounded all rather the same inflection: awkward-sexy. Looking closely, Taemin lip-synced most of the performance, so the track we heard was pre-recorded, which makes the result all the more disappointing. Sometimes I think we tend to take Britney’s recorded voice for granted—-she has an amazing range of breathy, raspy, nasal inflections that all culminate in a snappy and addictive song. This performance highlights how much Taemin has to grow as an artist and the questionable choices of the producers: Why the Puritan outfit? Why Circus? Why Britney Spears (that music video would probably be banned in South Korea!)? Why not cover another Lady Gaga like Just Dance in 2009? Or at least a Ke$ha?

Given the improvement Taemin’s shown as a singer in Lucifer and Hello, compared to their Love Like Oxygen days (where Taemin never nailed his high note in live performances), I am confident he will continue to develop in the right direction.

I completely loved the beginning of Lucifer with f(x), all of them chained and yelling. Jonghyun in the cage made me have a symbolism-orgasm; breaking free during his long note was also a neat trick. However, the music reinterpretation was a bit lacking: the remix was just the rock remix they previosly performed with TRAX. In addition, the f(x) cameo felt unnecessary and random: while f(x) was on stage, there was minimal interaction, and after f(x) was done singing, they disappeared. Honestly, I think that f(x) was just put out there, with their experienced sunbaes, to get more exposure and try on a harder and womanlier image.

All in all, Gayo Daejun 2010 was a glorified Music Bank or Inkigayo or Music Core, take your pick. I’m sort of glad that I decided to sleep 12 hours instead. (I lied. I slept for around seven hours, woke up to play Professor Layton and the Unwound Future on the DS and then went back to sleep.)

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3 thoughts on “[kpop] SHINee biased analysis of Gayo Daejun

  1. Pingback: [blog] compilation of fangirl rants.. er.. blog posts « The Innocent Lam

  2. Pingback: [kpop] best SHINee live performance outfits, 2010 « The Innocent Lam

  3. Pingback: everyone but SHINee review, SMTown NYC 2011 « the innocent lam

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